Professor Greg Hainge

Hainge, Greg (2017). Philippe Grandrieux: sonic cinema. London: Bloomsbury Academic.

Hainge, Greg (2013). Noise matters: Towards an ontology of noise. New York, United States: Bloomsbury Academic.

Hainge, Greg (2001). Capitalism and schizophrenia in the later novels of Louis-Ferdinand Céline : D'un ... l'autre. New York, United States: Peter Lang Publishing.

Hainge, Greg (2021). Painting with numbers: the fine art of digital chronophotography. Sleep has her house . (pp. 31-42) edited by Scott Barley. London, United Kingdom: Scott Barley.

Hainge, Greg (2021). Sound is silence. The Oxford handbook of sound art. (pp. 255-271) edited by Jane Grant, John Matthias and David Prior. Oxford, United Kingdom: Oxford University Press. doi: 10.1093/oxfordhb/9780190274054.013.20

Hainge, Greg (2020). Anti Social Media Social Music. Audiosphere. (pp. 129-137) edited by Francisco López. Madrid, Spain: Museo Nacional Centro de Arte Reina Sofia.

Hainge, Greg (2020). When is a door not a door? Transmedia to the nth degree in David Lynch’s multiverse. Transmedia directors: artistry, industry and new audiovisual aesthetics. (pp. 271-284) edited by Carol Vernallis, Holly Rogers and Lisa Perrott. New York, United States: Bloomsbury Academic. doi: 10.5040/9781501339295.0028

Hainge, Greg (2020). The uncanny hinterland of things: on Chambers’s An atmospherics of the city and speculative realism. Still loitering: Australian essays in honour of Ross Chambers. (pp. 83-97) edited by Valentina Gosetti and Alistair Rolls. Oxford, United Kingdom: Peter Lang.

Hainge, Greg (2016). Material music: speculations on non-human agency in music. Music's immanent future: the Deleuzian turn in music studies. (pp. 207-217) edited by Sally Macarthur, Judy Lochhead and Jennifer Shaw. Abingdon, Oxon, United Kingdom: Routledge. doi: 10.4324/9781315597027-23

Hainge, Greg (2015). Neither here nor there: Lynch dissolves. David Lynch: between two worlds. (pp. 31-44) Brisbane, Australia: Queensland Art Gallery/Gallery of Modern Art.

Hainge, Greg (2015). L'art (immersif) des bruits. Le corps du Rock et arts immersifs. (pp. 151-161) edited by Luc Robene and Philippe Liotard. Paris, France: CNRS (Centre National de la Recherche Scientifique) Éditions. doi: 10.3917/corp1.013.0151

Hainge, Greg (2012). Unlocking the cage with/in the key of silence. Dead silence. (pp. 53-55) edited by Lawrence English. Brisbane, Australia: Room 40.

Hainge, Greg (2010). Red velvet : Lynch's cinemat(ograph)ic ontology. David Lynch in theory. (pp. 24-39) edited by Glezon, Francois-Xavier. Prague, Czech Republic: Litteraria Pragensia Books.

Hainge, Greg (2009). No sympathy for the devil, or, Lobby Music: Spaces of disjunction in Barton Fink, The Shining and Muzak. Moving Pictures/Stopping Places. Hotels and Motels on Film. (pp. 255-276) edited by Clarke, David B., Crawford Pfannhauser, Valerie and Doel, Marcus A.. Plymouth, UK: Lexington Books.

Hainge, Greg (2008). L'Invention du Troisième Peuple: The utopian vision of Philippe Grandrieux's dystopias. Nowhere is perfect: French and Francophone utopias/dystopias. (pp. 228-239) edited by John West-Sooby. Newark, DE, United States: University of Delaware Press.

Hainge, G. (2006). Interdisciplinarity in rhizome minor: on avoiding rigor mortis through a rigorous approach to jazz, metal, wasps, orchids and other strange couplings. Rhizomes: connecting languages, cultures and literatures. (pp. 2-12) edited by Ramière, N. and Varshney, R.. Newcastle, UK: Cambridge Scholars Publishing.

Hainge, Greg. (2005). Allegorical Geographies: Topographical Transposition and Allegorical Function in Louis-Ferdinand Céline’s Aesthetic Spaces. Discursive Geographies: Writing space and place in French. (pp. 25-38) edited by Jeanne Garane. Amsterdam, Netherlands: Rodopi.

Hainge, Greg (2005). To(rt)uring the Minotaur: Radiohead, Pop, Unnatural Couplings and Mainstream Subversion. Strobe-Lights and Blown Speakers: The Music and Art of Radiohead. (pp. 62-84) edited by J. Tate. Aldershot: Ashgate Publishers.

Hainge, Greg (2004). The Death of Education, a Sad Tale: Of Anti-Pragmatic Pragmatics and the Loss of the Absolute in Australian Tertiary Education. Innovation and Tradition: Arts, Humanities and the Knowledge Economy. (pp. 35-45) edited by Kenway, Jane, Bullen, Elizabeth and Robb, Simon. New York: Peter Lang.

Hainge, Greg (2004). Is Pop Music?. Deleuze and Music. (pp. 36-53) edited by I. Buchanan and M. Swiboda. Edinburgh: Edinburgh University Press.

Hainge, Greg (2004). Weird or Loopy? Specular Spaces, Feedback and Artifice in Lost Highway’s Aesthetics of Sensation. The Cinema of David Lynch: American Dreams, Nightmare Visions. (pp. 136-150) edited by Annette Davison and Erica Sheen. London: Wallflower Press.

Hainge, Greg (2001). Le fol amour du Dr Destouches, ou comment j'ai appris à ne plus m'en faire et à lire les pamphlets: Louis-Ferdinand Céline et Stanley Kubrick. Actualité de Céline. (pp. 143-158) Tusson: Du Lérot.

Hainge, Greg (1999). When the End is the Means; Becoming-Music. Louis-Ferdinand Céline’s German Trilogy’, Dialogues, 2. (pp. 77-83) edited by Amherst, Ann and Astbury , Katherine. Exeter: Elmbank Publications.

Hainge, Greg (1995). Quand je ne peut être autre; Féerie pour une autre fois de Louis-Ferdinand Céline. Le Moi littéraire. (pp. 85-93) edited by Russell King and Essais sur la Littérature Française et Francophone, 1. Nottingham: University of Nottingham, Department of French.

Hainge, Greg (2021). Rapt in (destructive) plasticity: Demonlover and the annihilation of cinematic form. French Screen Studies, 23 (1), 1-15. doi: 10.1080/26438941.2021.1935561

Hainge, Greg (2021). “Un film français et fier de l’être”: Gaspar Noé’s Climax in Context. Australian Journal of French Studies, 58 (1), 100-116. doi: 10.3828/ajfs.2021.09

Hainge, Greg and Iveson, Richard (2020). Immediacy, causality, plasticity: Catherine Malabou and the future undoing of philosophy. Culture, Theory and Critique, 61 (1), 1-3. doi: 10.1080/14735784.2020.1815359

Hainge, Greg (2020). Delirium, Disruption and Death: On Stéphane Vanderhaeghe’s Charøgnards (Quidam éditeur, 2015). Electronic Book Review doi: 10.7273/vvqz-8173

Hainge, Greg (2018). Blanchot and the resonant spaces of literature, sound, art and thought. Angelaki, 23 (3), 94-111. doi: 10.1080/0969725x.2018.1473931

Hainge, Greg (2017). Review of Tim Palmer, Irreversible. New York: Palgrave, 2015. H-France Review, 17 (100), 1-3.

Hainge, Greg (2016). Adapted voices: transpositions of Céline’s ‘Voyage au bout de la nuit’ and Queneau’s ‘Zazie dans le métro’. By Armelle Blin-Rolland.. French Studies, 70 (4), 617-617. doi: 10.1093/fs/knw184

Hainge, Greg (2016). Art matters: philosophy, art history and art’s material presence. Culture, Theory and Critique, 57 (2), 137-141. doi: 10.1080/14735784.2016.1161903

Hainge, Greg (2015). Cadrage exquis: Reframing Jean-Jacques Beineix's Diva. Australian Journal of French Studies, 52 (2), 112-126. doi: 10.3828/ajfs.2015.10

Hainge, Greg and Simons, Jon (2015). A letter of thanks to a man of letters: Mark Millington and Culture, Theory and Critique. Culture, Theory and Critique, 56 (3), 263-265. doi: 10.1080/14735784.2015.1070977

Hainge, Greg (2015). Review: Benjamin Thomas (ed.) (2012) Tourner le dos: Sur l’envers du personnage au cinema, Saint-Denis: Presses Universitaires de Vincennes.. Film-Philosophy, 19, 115-117.

Hainge, Greg (2014). Blue movies: Diva, The Smurfs 2 and the ontology of cinema. Sight and Sound

Hainge, Greg (2014). Jonathan Ervine, cinema and the Republic: filming on the margins in contemporary France. H-France Review, 14 (148), 1-4.

Hainge, Greg (2014). David Novak. Japanoise: Music at the Edge of Circulation. Asian Studies Review, 38 (2), 309-310. doi: 10.1080/10357823.2014.902738

Powrie, Phil, Austin, Guy, Conway, Kelley, Dobson, Julia, Hainge, Greg, Higbee, Will, Leahy, Sarah and Martin, Florence (2014). Editorial. Studies in French Cinema, 14 (1), 1-4. doi: 10.1080/14715880.2014.891373

Hainge, Greg (2014). Wright, Alexa, Monstrosity: The Human Monster in Visual Culture. Somatechnics, 4 (1), 185-187. doi: 10.3366/soma.2014.0119

Hainge, Greg (2014). Guerre et exil chez Louis-Ferdinand Céline: Ana Maria Alves. Modern and Contemporary France, 22 (2), 253-254. doi: 10.1080/09639489.2013.870144

Hainge, Greg and Rolls, Alistair (2014). The larrikin as hero (in French Studies). Australian Journal of French Studies, 51 (2-3), 269-280. doi: 10.3828/AJFS.2014.21

Hainge, Greg (2014). Three non-places of supermodernity in the history of French cinema: 1967, 1985, 2000. Playtime, Subway and Stand-by. Australian Journal of French Studies, 51 (2-3), 234-249. doi: 10.3828/AJFS.2014.19

Hainge, Greg (2013). Metacritique in the eighth circle of hell. Symploke, 21 (1-2), 341-345. doi: 10.1353/sym.2013.0024

Hainge, Greg (2012). To have done with the perspective of the (biological) body: Gaspar Noe´’s Enter the Void, somatic film theory and the biocinematic imaginary. Somatechnics, 2 (2), 305-324. doi: 10.3366/soma.2012.0063

Hainge, Greg (2012). A full face bright red money shot: Incision, wounding and film spectatorship in Marina de Van's Dans ma peau. Continuum: Journal of Media and Cultural Studies, 26 (4), 565-577. doi: 10.1080/10304312.2012.698036

Hainge, Greg (2012). Celine Chez les fils de la Perfide Albion: Les etudes Celiniennes dans le contexte Universitaire Anglophone depuis 1961. Études Céliniennes, 7, 5-19.

Hainge, Greg and Cullen, Jason (2011). Formulating God: The ongoing place of theology in the philosophy of Gilles Deleuze. Culture, Theory and Critique, 52 (2-3), 303-319. doi: 10.1080/14735784.2011.630888

Pratt, Murray, Stephens, Elizabeth, Rolls, Alistair, Hardwick, Joe and Hainge, Greg (2011). Larry Schehr. Australian Journal of French Studies, 48 (3), 348-352. doi: 10.3828/ajfs.48.3.348

Hainge, Greg, De Nooy, Juliana and Hanna, Barbara E. (2011). Tekhne, technique, technologie. Australian Journal of French Studies, 48 (2), 121-128. doi: 10.3828/AJFS.48.2.121

Hainge, Greg (2010). Une voix déplacée: La ventriloquie chez Céline ou pour en finir avec le jugement historique. Études Céliniennes, 5 (Hiver 2009-2010), 71-94.

Hainge, Greg (2009). Airport music: Muzak, 'Non-lieux' and film sound in Stéphanik's Stand-by and Lioret's Tombés du ciel. Studies in French Cinema, 9 (3), 201-214. doi: 10.1386/sfc.9.3.201/1

Hainge, Greg (2008). A tale of (at least) two Hiroshimas: Nobuhiro Suwa's H Story and Alain Resnais's Hiroshima Mon Amour. Contemporary French Civilization, 32 (2), 147-174. doi: 10.3828/cfc.2008.8

Hainge, G. (2008). Three non-places of supermodernity in the history of French cinema: 1967, 1985, 2000. Playtime, Subway and Stand-by. Australian Journal of French Studies, 45 (3), 197-211. doi: 10.3828/AJFS.45.3.197

Hainge, G. (2008). Unfixing the photographic image: Photography, indexicality, fidelity and normativity. Continuum: Journal of Media & Cultural Studies, 22 (5), 715-730. doi: 10.1080/10304310802311659

Hainge, G. (2008). The unbearable blandness of Being: The everyday and Muzak in Barton Fink and Fargo. Post Script: Essays in Film and the Humanities, 27 (2), 38-47.

Hainge, Greg (2007). Vinyl is dead, long live vinyl: the work of recording and mourning in the age of digital reproduction. Culture Machine, 9, 1-23.

Hainge, Greg (2007). Of glitch and men: The place of the human in the successful integration of failure and noise in the digital realm. Communication Theory, 17 (1), 26-42. doi: 10.1111/j.1468-2885.2007.00286.x

Hainge, Greg (2007). Le corps concret: Of bodily and filmic material excess in Philippe Grandrieux's cinema. Australian Journal of French Studies, 44 (2), 153-171. doi: 10.3828/AJFS.44.2.153

Hainge, G. (2007). The architect’s scalpel: The monstrous digital futures of Alexa Wright’s Precious. Social Semiotics, 17 (3), 327-340. doi: 10.1080/10350330701448652

Hainge, Greg. (2006). Tempest in another time: Shakespeare, Greenaway, Céline. Romanic Review, 97 (1), 15-32. doi: 10.1215/26885220-97.1.15

Hainge, Greg. (2006). Review of Formless: Ways In and Out of Form by P. Crowley & P. Hegarty (eds). Carnet Austral, 25, 33-34.

Hainge, G. (2006). Review of Le Grand Transit Moderne: Mobility, Modernity and French Naturalist Fiction by L. Duffy. Carnet Austral, 24, 12-14.

Hainge, Greg (2005). Carax and the ambiguities - a book that needs to fail, perhaps: on Daly and Dowd's Leos Carax. Film-Philosophy, 9 (4).

Hainge, Greg (2005). The language of suffering: The place of pain in Louis-Ferdinand Céline's Féerie Pour Une Autre Fois I. L'Esprit Créateur, 45 (3), 18-28. doi: 10.1353/esp.2010.0339

Hainge, Greg (2005). No(i)stalgia: On the impossibility of recognising noise in the present. Culture, Theory and Critique, 46 (1), 1-10. doi: 10.1080/14735780500102348

Hainge, Greg (2005). Surmodernites: Entre reve et technique. Contemporary French Civilization, 29 (1), 174-177.

Hainge, Greg (2004). "Pagan poetry", piercing, pain and the politics of becoming. Scan: Journal of Media Arts Culture, 1 (3), 1-9.

Hainge, Greg (2004). The sound of time is not tick tock: the loop as a direct image of time in Noto's Endless Loop Edition (2) and the drone music of Phill Niblock. InVisible Culture, 1 (8).

Hainge, Greg (2004). Come on Feel the Noise: Technology and its Dysfunctions in the Music of Sensation. To The Quick (5), 42-58.

Hainge, Greg (2003). Frozen Music [Book Review]. Southern Review: Communication, Politics & Culture, 36 (2), 80-81.

Hainge, Greg (2003). Le Prologue de Guignol’s band comme porte vers l'espace lisse, ou, chronique manquée d'une réussite à venir. Essays in French Literature, 40, 57-79.

Hainge, Greg (2002). Seeing Silence: Filmic and Acoustic Convergences in the Work of Thierry Knauff and Francisco López. Culture, Theory and Critique, 43 (2), 155-170. doi: 10.1080/1473578022000038004

Hainge, Greg (2002). In search of Frenchness lost? French Cinema in the 1990s: Continuity and Difference. Edited by Phil Powrie. Film-Philosophy, 6 (2).

Hainge, Greg (2002). Platonic relations: the problem of the loop in contemporary electronic music. M/C: A Journal of Media and Culture, 5 (4)

Hainge, Greg (2002). A Taste for the Decadent. Review of Agnès Hafez-Ergaut 'Le vertige du vide: Huysmans, Céline, Sartre. Lewiston, Queenston, Lampeter: The Edwin Mellen Press, 2000.. Southern Review: Communication, Politics & Culture, 35 (1), 139-141.

Hainge, Greg (2002). A whisper or a scream? experimental music sounds a warning for the future of theory. Continuum: Journal of Media and Cultural Studies, 16 (3), 285-298. doi: 10.1080/1030431022000018654

Hainge, G. (2001). Celine: from one end to the other. French Studies, 55 (4), 566-567. doi: 10.1093/fs/55.4.566-a

Hainge, Greg (2001). The art of automythography: The role of myth in Louis-Ferdinand Céline’s German trilogy. New Comparison, 32, 53-65.

Hainge, Greg (2001). Impossible narratives: Colonial spaces of dissolution in Voyage au bout de la nuit and To have and to hold. Australian Journal of French Studies, 38 (2), 253-271. doi: 10.3828/AJFS.38.2.253

Hainge, Greg (2001). L'insoutenable pesanteur de l'être et l'esthétique imperceptible: l'épisode de la brique dans Rigodon, Pesanteur et légèreté selon Céline. XIIIe colloque international Louis-Ferdinand Céline, Prague, 2001. Paris: Société d'Études Céliniennes.

Hainge, Greg (1999). Céline: classique anti-classique. Classicisme de Céline; Actes du XIIe colloque international Louis-Ferdinand Céline pp.155-167, Paris, 1999. Paris: Société d’Études Céliniennes.

Hainge, Greg (1996). The Atomic Construction of Pablo Neruda’s Littérature Engagée: The Dialectical Poetics of Canto general. 4th Hispanic Studies Postgraduate Conference, London, 1996. London: Embajada de España, Consejería de Educación y Ciencia.

Hainge, Greg (2015, 11 25). ‘Paris Attacks: Let Beauty and Culture Strengthen our Resolve’ The Australian 33-33.

Professor Greg Hainge

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