Professor Kim Wilkins
Deputy Associate Dean (Research) (on Secondment at the Graduate School)
Faculty of Humanities and Social Sciences
+61 7 336 52589
Researcher biography
Kim Wilkins is an Associate Professor in Writing, Publishing, and 21st-Century Book Culture.
She leads the ARC-funded "Genre Worlds" project and is the author of thirty full-length works of fiction, including her debut horror novel, The Infernal, which won Aurealis Awards for both horror and fantasy. She has been published in twenty languages.
Publications
Books
Marshall, Helen, Wilkins, Kim, Bennett, Lisa, Anderton, Joanne and Ivanova, Ksenia (2023). Project Ursula speculative fiction techniques for technology foresight: facilitator handbook. Brisbane, QLD Australia: What If Lab; The University of Queensland. doi: 10.14264/c6a0989
Wilkins, Kim, Driscoll, Beth and Fletcher, Lisa (2022). Genre worlds: popular fiction and twenty-first-century book culture. Amherst, MA United States: University of Massachusetts Press.
Wilkins, Kim (2021). Headstrong girl: how to live a writer's life. Brisbane, QLD Australia: Brain Jar Press.
Wilkins, Kim and Bennett, Lisa (2021). Writing bestsellers: love, money, and creative practice. Cambridge, United Kingdom: Cambridge University Press. doi: 10.1017/9781108663724
Wilkins, Kim (2019). Queens of the sea. Sydney, Australia: HarperCollins.
Wilkins, Kim (2019). Young adult fantasy fiction: conventions, originality, reproducibility. Cambridge, United Kingdom: Cambridge University Press. doi: 10.1017/9781108551137
Freeman, Kimberley (2017). Stars across the ocean. Sydney, Australia: Hachette Australia.
Wilkins, Kim (2017). Odin's girl. Hornsea, United Kingdom: PS Publishing.
Forsyth, Kate and Wilkins, Kim (2017). The silver well. Perth, Australia: Ticonderoga Publications.
Wilkins, Kim (2016). Sisters of the fire. Sydney, Australia: Harlequin Mira.
Freeman, Kimberley (2014). Evergreen Falls. Sydney, NSW, Australia: Hachette Australia.
Wilkins, Kim (2014). Daughters of the storm. Sydney, Australia: Harlequin Mira.
Wilkins, Kim (2013). The year of ancient ghosts: stories. Melbourne, VIC Australia: Ticonderoga Publications.
Freeman, Kimberley (2013). Ember island. Sydney, QLD, Australia: Hachette Livre Australia.
Freeman, Kimberley (Kim Wilkins) (2012). Lighthouse Bay. Sydney, Australia: Hachette Australia.
Freeman, Kimberley (2011). Wildflower hill. Kindle Edition ed. Montreal, Canada: Touchstone Publishing.
Freeman, Kimberley (2010). Wildflower hill. Sydney, Australia: Hachette Australia.
Wilkins (Freeman, Kimberley), Kim (2008). Gold dust. Sydney: Hachette Livre Australia.
Wilkins, Kim (2008). The pearl hunters. Malvern, SA: Omnibus Scholastic.
Wilkins (Kimberly Freeman), Kim (2007). Duet. Sydney, Australia: Hachette Livre Australia.
Wilkins, K. (2006). Sorcerer of the waves. Australia: Omnibus/Scholastic.
Wilkins, K. (2006). The star queen. Australia: Omnibus/Scholastic.
Wilkins, K. (2006). Tide stealers. Australia: Omnibus/Scholastic.
Wilkins, K. (2006). Ghost ship. Australia: Omnibus/Scholastic.
Wilkins, Kim (2006). Nightshade: A Gina Champion mystery. Camberwell, VIC, Australia: Mystery Penguin Australia.
Wilkins, Kim (2005). Rosa and the veil of gold. Sydney & London: HarperCollins Australia; Victor Gollancz UK.
Wilkins, Kim (2005). Witchsong: A Gina Champion mystery. Camberwell, Victoria: Penguin Australia.
Wilkins, Kim (2004). Giants of the frost. Sydney; London; New York: HarperCollins Australia; Victor Gollancz UK; Warner Aspect US.
Wilkins, K. and Bosch, S. (2004). Space boogers. Sydney: Hodder Hotshots/Mark Macleod.
Wilkins, K. (2003). Moonstorm: A Gina Champion mystery. Australia: HarperCollins.
Wilkins, Kim (2003). The autumn castle. Pymble, N.S.W.: HarperCollins.
Wilkins, K. (2002). Fireheart: a Gina Champion mystery. Australia: HarperCollins.
Wilkins, K. (2001). Bloodlace : a Gina Champion mystery. Australia: HarperCollins.
Book Chapters
Wilkins, Kim, Marshall, Helen and Tulic, Marina (2022). Emerging writers/established publishers: a ten-year study of the Hachette Manuscript Development Program. Creative writing scholars on the publishing trade: Practice, Praxis, Print. (pp. 19-32) edited by Sam Meekings and Marshall Moore. Abingdon, Oxon, United Kingdom: Routledge. doi: 10.4324/9781003041559-2
Driscoll, Beth, Fletcher, Lisa and Wilkins, Kim (2016). Women, Akubras and ereaders: romance fiction and Australian publishing. The return of print? Contemporary Australian publishing. (pp. 67-87) edited by Aaron Mannion and Emmett Stinson. Melbourne: Monash University Publishing.
Wilkins, Kim (2016). From Middle Earth to Westeros: medievalism, proliferation and paratextuality. New directions in popular fiction genre, distribution, reproduction. (pp. 201-221) edited by Ken Gelder. London, United Kingdom: Palgrave Macmillan. doi: 10.1057/978-1-137-52346-4_10
Wilkins, Kim (2016). In Hornhead Wood. Dreaming in the Dark. edited by Jack Dann. Hornsea, United Kingdom: PostScript.
Wilkins, Kim (2016). Pagan places: contemporary paganism, British fantasy fiction, and the case of Ryhope Wood. Popular fiction and spatiality reading genre settings. (pp. 109-123) edited by Lisa Fletcher. New York, NY, United States: Palgrave Macmillan. doi: 10.1057/978-1-137-56902-8_8
Wilkins, Kim (2014). "Awesome Cleavage": the genred body in World of Warcraft. Digital gaming re-imagines the Middle Ages. (pp. 119-130) edited by Daniel T. Kline. London, United Kingdom: Routledge. doi: 10.4324/9780203097236-19
Wilkins, Kim (2012). Genre and speculative fiction. The Cambridge companion to creative writing. (pp. 37-51) edited by David Morley and Philip Neilsen. Cambridge, United Kingdom: Cambridge University Press. doi: 10.1017/CCOL9780521768498.005
Wilkins, Kim (2010). Crown of Rowan: A Tale of Thyrsland. Legends of Australian Fantasy. (pp. 158-204) edited by Jack Dann and Jonathan Strahan. Sydney, NSW, Australia: Harper Collins.
Wilkins, Kim (2010). Bell, book and battleaxe: Australian popular medievalism. Australian Popular Medievalism. (pp. 1-20) St Lucia, Qld, Australia: AustLit.
Wilkins (Kimberley Freeman), Kim (2008). The Forest. Dreaming Again: Thirty-five new stories celebrating the wild side of Australian fiction. (pp. 125-141) edited by Jack Dann. Pymble, NSW, Australia: HarperCollins.
Journal Articles
Marshall, Helen, Wilkins, Kim and Bennett, Lisa (2023). Story thinking for technology foresight. Futures, 146 103098, 103098. doi: 10.1016/j.futures.2023.103098
Wilkins, Kim and Marshall, Helen (2020). What can we learn about research narratives from professional storytellers?. The STEAM Journal, 4 (2) 11, 1-4. doi: 10.5642/steam.20200402.11
Wilkins, Kim (2019). Do the hustle: writing in a post-digital publishing world. Sydney Review of Books.
Bennett, Lisa and Wilkins, Kim (2019). Viking tattoos of Instagram: Runes and contemporary identities. Convergence: The International Journal of Research into New Media Technologies, 26 (5-6), 135485651987241-1314. doi: 10.1177/1354856519872413
Wilkins, Kim (2019). Horns: vikings, adaptation, evolution. Studies in Medievalism, 28.
Bennett, Lisa and Wilkins, Kim (2019). "Strange Companies": the Northman in popular historical fiction. Journal of Historical Fictions, 2 (1), 1-17.
Fletcher, Lisa, Driscoll, Beth and Wilkins, Kim (2018). Genre worlds and popular fiction: the case of twenty-first-century Australian romance. Journal of Popular Culture, 51 (4), 997-1015. doi: 10.1111/jpcu.12706
Driscoll, Beth, Fletcher, Lisa, Wilkins, Kim and Carter, David (2018). The publishing ecosystems of contemporary australian genre fiction. Creative Industries Journal, 11 (2), 203-221. doi: 10.1080/17510694.2018.1480851
Wilkins, Kim (2017). 'A crowd at your back': fantasy fandom and small press. Media International Australia Incorporating Culture and Policy: Quarterly Journal of Media Research and Resources, 170 (1), 1329878X1774352-125. doi: 10.1177/1329878X17743524
Wilkins, Kim (2017). Writing time: Coleridge, creativity, and commerce. Text, 41
Wilkins, Kim (2016). “Ravished by Vikings”: the pre-modern and the paranormal in Viking romance fiction. Journal of Popular Romance Studies, 5 (2), 1-13.
Wilkins, Kim (2014). Valhallolz: medievalist humor on the internet. Postmedieval, 5 (2), 199-214. doi: 10.1057/pmed.2014.14
Wilkins, Kim (2014). Writing resilience in the digital age. New Writing, 11 (1), 67-76. doi: 10.1080/14790726.2013.870579
Wilkins, Kim (2011). "Cutting off the head of the king": sovereignty, feudalism, fantasy. Australian Literary Studies, 26 (3-4), 136-149.
Wilkins, Kim (2009). 'Goodly tales': Creative writing in the literary studies classroom. English in Australia, 44 (1), 25-32.
Wilkins, Kim (2008). Popular genres and the Australian literary community: The case of fantasy fiction. Journal of Australian Studies, 32 (2), 265-278. doi: 10.1080/14443050802056771
Wilkins, Kim (2005). The process of genre: Authors, readers, institutions. Text, 9 (2), 1-13. doi: 10.52086/001c.31906
Conference Paper
Wilkins, Kim (2012). 'Words of art': magic and language in early modern England. The British World: Religion, Memory, Society, Culture, Toowoomba, Qld, Australia, 2-5 July 2012. Toowoomba, Qld, Australia: University of Southern Queensland.
Research Report
Marshall, Helen , Wilkins, Kim , Bennett, Lisa and Anderton, Joanne (2023). The Ursula Project: Conceptual Framework. Brisbane, Australia: The What If Lab, The University of Queensland. doi: 10.14264/9a5e903
Creative Works
Freeman, Kimberley (2016). The engagement party. Sydney, NSW, Australia: Hachette Livre Australia.
Wilkins, Kim and Diskett, Joseph (2014). 9 fathom deep. Brisbane, QLD, Australia: Story City.
Wilkins, Kim (2012). Wild dreams of blood. Sydney, NSW, Australia: Review of Australian Fiction.
Wilkins (Kimberley Freeman), Kim (2009). Austlit: Australian popular medievalism subset. St. Lucia, Brisbane, Australia: AustLit.
Wilkins, Kim (2008). Dreamless. Kelvin Grove, QLD, Australia: ARC Centre of Excellence for Creative Industries and Innovation (CCI).
Theses
Wilkins, Kim (2006). Giants of the frost. PhD Thesis, School of English, Media Studies & Art History, The University of Queensland.
Wilkins, Kim (2000). The resurrectionists. M.A. Thesis, School of English, Media Studies and Art History, The University of Queensland. doi: 10.14264/uql.2017.16